Category Archives: Painting
The March challenge for Art Bead Scene reminded me of paintings I’d seen of birches at twilight.
I am crazy about birches and have 531 pins of birch trees on my “Birches” board on Pinerest.
Here is the challenge painting:
Edith Carr painted this in 1912 after a six week adventure into rural British Columbia. She called it “Haida Totems”. Birches grow in British Columbia and as far north as Alaska.
My twilight birch beads are inspired by Heather Power’s birch beads, although mine are much, much bigger than hers. I strung them with denim colored button pearls and amethysts.
I also entered the Bead Challenge this month, based on the same photo. Here are Indigo Goddesses.
You can see this month’s challenge at http://www.artbeadscene.blogspot.com/2015/03/march-monthly-challenge.html
A bead artist in one of my Facebook groups was bemoaning her cracked fingertips. I will share what I wrote to her, in case you are suffering as well.
I am a doctor/artist and I wrote a comprehensive health care guide for women who do crafts. It won a Gold Medal for Health Communication and was a Main Selection of the Doubleday Cooking and Crafts club.
One whole chapter of my book is on the fingers.
Here is what I am doing this winter for my cracked fingertips. Every night I put a teaspoon of sugar in my palm and pour in about a teaspoon of olive oil. I scrub down my hands, the backs, palms and fingertips. I rub my fingertips in my palms in the sugar scrub to burnish off dead skin and to stimulate the blood vessels.
Then I wash off the sugar with water under the tap, then most of the oil with hand soap.
I keep my fingernails very short so that the skin on the tips is uniformly tough, so that it resists cracking.
At bedtime I put 1/2 teaspoon of sweet almond oil in my palm and I massage it into my hands, especially my nail beds and fingertips. The massage not only delivers the oil to my skin but opens up the capillary beds so that maximum sturdiness of the skin develops.
If you want my book, many Amazon Booksellers have it for 1 cent plus $3.99 shipping (this keeps me humble; if you buy from Amazon Booksellers I won’t make even that one cent, which is fine).
If you need it today you can get it from C&T Publishing as an e-book. There’s a hot link to the C&T listing on my author website http://www.susandelaneyauthor.com.
BTW, C&T was the best publisher a gal could dream of!
Are you feeling at the end of your rope?
My dear, late friend Fr. Al Durrance used to say this: God can always be found at the end of your rope.
Al had been in the healing ministry for 56 years when he passed last July. He brought me into that ministry in 1994 and I have been privileged to see many miracles because he “got” me that day at the National meeting in Ft. Worth. He waived the “entrance” requirements for the Oder of St. Luke the Physician and inducted me on the spot. I think he knew that I would do all of the required things. I did. In fact, I have taught the course on the healing miracles of Jesus eight times already.
I made these earrings from translucent polymer clay that I kissed gently with silver/granite clay and bronze clay. Only the tiniest bit of each.
I made the silicone molds from a statue of St. Francis of Assisi. The mold for the back is just folds of his habit. See below.
I painted the recesses of the clay ovals with a silver paint and the high points with a gleaming micaceous paint.
They are gorgeous. Below you can see the “back” of one on the left.
They are available in my Etsy shop as a special order. I can do them with hints of silver, pale gold, gold, copper or bronze in the clay. I can put in gray mica or gleaming colorless mica. Or both. I can paint the recesses with silver, gold, copper or bronze. I can paint the high spots with a super thin layer of mica in red, orange, blue, green or violet. I can use wires and lever backs to match the metallic color you have chosen to tint the clay body.
I’d be glad to make a pair for you. I can have them ready to ship within three days.
I found this ladder at a garage sale in Madison, WI in 1976, during medical school.
It was oak, very well made, and already gently worn.
During my internship, in 1977, I added a hook and eye and a handle, to allow me to carry it easily. I placed the handle, which I took from a screen door, at its balance point. The hook and eye, from the same screen door, kept it closed when I carried it by the handle.
Life went on. In 2000, when I began to joyfully consider how much better my life would be if I were single again, I painted it white and, in the Christmas season, strung it with white lights.
In 2001, I filed for divorce, and that Christmas, again strung it with white lights.
In 2002, my freedom regained, I painted it hot pink, with sea blue “olives” with magenta “pimentos”, after a Mexican folk art design I admired. I strung it with pink lights under the eaves of my new house.
I did so every year.
Unfortunately, one year not long ago, I left it out in the rain and its “feet” rotted.
I was grief stricken.
Fortunately, my son-in-love came to the rescue. He cut off the bad parts and reset the braces. I am so grateful.
I have a kit to repair the wood rot, but for now I have strung it with hot pink Christmas lights.
It is in my sunroom, just off the kitchen, where I can enjoy it safe from the elements.
I am so grateful to have it!
Ever since I was a girl I have been fascinated by the art of Japan.
I have done Japanese flower arranging, ikebana. I am also an internationally known and published haiku poet.
A few years ago, I took up painting enso, circles, with sumi paint. I bought wonderful, flat porcelain trays of the sumi ink at the gift shop at Nepenthe, in Big Sur, CA. I drew a number of enso to illustrate some of my haiku. Yesterday, I photographed the enso.
The one above, one of my favorites, is made by dipping the soft rabbit’s hair brush into both metallic gold and metallic silver and then brushing the circle in one breath.
I find it meaningful that haiku are also one breath poems.
Both art forms remind us that we have only the now. To live in the now.
I painted this one to illustrate a poem about peeling an orange.
This one will illustrate poems about the sun.
And this one the moon.
This one was drawn to illustrate the moon rising behind pine trees, but this morning I used it to illustrate this haiku: lipstick on his collar/ thunder/ rattles the bedsprings.
I hope you like my enso!